“Ince/Lowe stage an ostensibly light-hearted historical ditty with huge, carnival-style body parts that make the legacy of slavery wittily, starkly clear. A tongue snaking from the lips of French colonialist Armand’s giant paper head snares a black woman. A mixed-heritage son tumbles out of giant, splayed brown legs beneath a stained tricolore. It’s horrible and funny at the same time.”